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Represent Classical

Represent Classical

Author Archives: Christine Escobar

Posted inchamber music, composers, in person concerts, in person events, international, justice reform, music, music education, music history, musicology, opera, social justice, solo performances, support for BBIPOC music, young artists

EVENTS: “Girls of Yellow Diamonds” Concert To Honor Asian American Women

by Christine EscobarFebruary 22, 2022June 30, 2022
Posted inbooks, interviews, music, music administration, music education, music schools, musicology, social justice, strings, support for BBIPOC music, young artists, youth orchestras

Author Brendan Slocumb on the Inspiration Behind His Successful Debut Novel “The Violin Conspiracy”

by Christine EscobarFebruary 11, 2022June 30, 2022
Posted inamerican orchestras, artist feature, composers, in person concerts, in person events, international, interviews, music, music education, music schools, new release, orchestras, strings, support for BBIPOC music, video

NEW RELEASE: James Sanders & Conjunto “Evidencia”

by Christine EscobarFebruary 10, 2022June 30, 2022
Posted inamerican orchestras, chamber music, composers, in person concerts, in person events, international, music, music education, music history, musicology, orchestras, premieres, solo performances, strings, video, young artists

EVENTS: Midwest Premiere of “The Chevalier”-Music of The Baroque ft. Brendan Elliott

by Christine EscobarFebruary 7, 2022June 30, 2022
Posted inchamber music, composers, international, music, music history, new release, premieres, strings

NEW RELEASE: Catalyst Quartet ft. Michelle Cann “UNCOVERED Volume 2: Florence B. Price”

by Christine EscobarFebruary 4, 2022June 30, 2022
Posted inartist feature, in person concerts, in person events, inspiration, international, interviews, music, music education, opportunities, solo performances, support for BBIPOC music, video, virtual concerts, young artists

The Human Element: Connecting With Your Audience: Q&A with Tiffany Poon

by Christine EscobarDecember 6, 2021June 30, 2022
Posted inaudio, chamber music, composers, interviews, music, music education, music history, music schools, new release, orchestras, premieres, strings, support for BBIPOC music

“Cool Story”: Jonathan Bingham’s Plan to Record and Publish Unheard Howard Composers

by Christine EscobarDecember 5, 2021June 30, 2022
Posted inartist feature, funding, in person concerts, in person events, international, music, premieres, solo performances, support for BBIPOC music, young artists

EVENTS: Pianist Tiffany Poon to Debut at Kennedy Center in All Schumann Recital

by Christine EscobarNovember 16, 2021July 1, 2022
chords sheet on piano tiles
Posted inamerican orchestras, awards, chamber music, commissions, competitions, composers, conservatories, funding, music, music administration, music education, music schools, opera, opportunities, orchestras, social justice, strings, support for BBIPOC music, young artists

Sphinx Org Announces 2022 Venture Fund Recipients

by Christine EscobarNovember 12, 2021July 1, 2022
Posted inartist feature, ballet, chamber music, commissions, composers, dance, inspiration, international, interviews, music, music education, music history, musicology, opera, video

CONVERSATIONS: Jerod Impichchaachaaha’ Tate On Being True to Your Identity

by Christine EscobarOctober 5, 2021July 1, 2022

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FilAm Summer Music Festival Returns To Chicago

FilAm Summer Music Festival Returns To Chicago

by Christine Escobar August 8, 2022August 8, 2022
As Artists Continue to Draw the Line, Real Time DEI Will Change Classical Music

As Artists Continue to Draw the Line, Real Time DEI Will Change Classical Music

by Garrett McQueen August 8, 2022August 8, 2022
This Week on TRILLOQUY: Opus 158

This Week on TRILLOQUY: Opus 158

by TRILLOQUY August 4, 2022August 4, 2022
Quinteto Latino’s Seminario Returns for 2022

Quinteto Latino’s Seminario Returns for 2022

by Christine Escobar August 1, 2022August 1, 2022
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